Brotherly love

HERE is the cover for the BROTHERS one-shot written by me and illustrated by Andrew Radbourne. The 56-page book is being launched at this year's Bristol Expo (May 9-10).

I had pretty much decided to publish it in the same "graphic novella" format as Septic Isle - i.e. perfect-bound on thick gloss paper for four to five quid. However, because of the bleak economic situation, I've been thinking of doing something that's a bit more cheap and cheerful instead - maybe do Brothers as a straightforward comic on slightly less lovely paper for around £3-£3.50.

It isn't a done deal yet but if I can find a printer that can deliver what I'm looking for I shall give it a go. When flimsy pamphlet-style US comics full of ads are being flogged in stores for £3+, it strikes me that now might be a good time for indie publishers to do a bit of outreach to mainstream readers fed up with seeing their hard-earned cash buy fewer and fewer comics every week.

I'm also considering doing a 16-page comic at some point and selling it for a £1-£1.50. The idea would be to cram as much material in there as possible - maybe a couple of one-pagers along with some slightly longer stuff. The price would massively undercut pretty much everything else that's out there - including a lot of mini-comics - but would have the same top-notch production values as any of the stuff I've done before. This whole "value for money" subject is something I shall return to I suspect...

Skinner for sale

THE Tim Skinner: Total Scumbag one-shot is now on sale in the moonfacepress.com shop. It's £3, plus £1.50 p&p, for 36 full-colour pages (just one page of ads). It's the first time artist Declan Shalvey and I have worked together since the Eagle Award-winning Hero Killers and we're both delighted with the results.

Other people rather like Skinner, too. Jonathan Hickman (writer of Secret Warriors and The Nightly News) called it "Fucking Hilarious" and Rich Johnston (writer of CBR's Lying In The Gutters column) said it was: "A very self-referential, up-its-own-arse comic that I was destined to love."

The book contains scabrous parodies of a host of much-loved comic stories, characters and creators, including Lost Girls, The Boys, Power Girl, Blankets, Judge Dredd, zombie books and Jack Kirby. It's guaranteed to make you laugh... or your money back.*



* This statement isn't legally binding, I've checked.

Future imperfect

CAN'T believe it's been over a month since my last post here. Not that there's been much to report anyway - nothing good at least.

Diamond won't be soliciting mine and Dec's Tim Skinner: Total Scumbag one-shot, which is a bit of a blow really; especially as it's easily the best thing I've yet written and published. And Dec's full-colour artwork is terrific.

I shall probably be contacting Haven Distribution in the very near future to see if they might be interested in picking the book up but, to be honest, I can't see us getting nearly as many orders going that route as we would have through Diamond.

The worrying thing is that if Diamond don't want something as blatantly commercial as Skinner, I really can't see them going for anything else currently sitting on my release schedule (although Brit Force's Glenn Fabry cover might give that book more than a fighting chance).

That means I'm back to square one in many ways - publishing comics to sell online and at conventions. This is something of a backwards step so I'm going to have a serious think about making some changes. I'm currently in the middle of lettering the Brothers one-shot for release at the Bristol Expo in May but, after that, I'm going to take a long hard look at what I do and decide what my next step will be.

It could be that I stop publishing altogether and concentrate 100 per cent on writing and pitching to professional companies, but that would take a lot of the fun out of it for me. I enjoy the entire process of putting a comic together - not just the writing side. And, of course, the problem with pitching is that there's no guarantee any of my ideas would ever be picked up - I could spend years toiling away for absolutely no return.

As you can probably tell, I'm a bit confused about where things are headed at the moment - hopefully I'll feel a bit more positive after Bristol...

Diamond aren't forever

A QUICK browse across the net has already thrown up a couple of early casualties of Diamond's new minimum order policy.

Steve Tanner, of Time Bomb Comics, reports that his Dick Turpin & The Restless Dead book has been ditched by the distributor because retailer orders failed to hit the new threshold. Read about it on Steve's blog.

And over at CBR, Rich Johnston discusses Classical Comics' adaptation of The Tempest which has been dropped "due to a lack of sales expectations". Read about it in this week's Lying In The Gutters.

The Dick Turpin book's rejection is a shame but, under the new rules, understandable because a) it's from a tiny UK indie publisher and b) it's black and white. But I'm astounded at the news concerning The Tempest - it's full colour and the art (by Jon Haward and Gary Erskine) is gorgeous. Check out the cover at the Classical Comics website.

More than that, though, Classical Comics are a proper, bonafide company - they pay their pro writers and artists good rates and have budgets for the marketing and promotion of their books. As far as I know sales are good too - Dec Shalvey's excellent Frankenstein adaptation outstripped sales estimates and went to a second printing after just three months. The company and its books also get acres of positive coverage in the comics press and elsewhere.

In his piece, Rich suggests Diamond might take a "second look" at The Tempest and I very much hope he's right because, if stuff as good as that can't make it into Previews any more, then the likes of Steve Tanner and I have no chance at all.

Very long post about Blood Psi and Diamond

I'VE just had a week away from the day job to get cracking on the Blood Psi stuff and have made pretty good progress. I finished the first draft of the story's second part yesterday and will now spend the next week tweaking and chopping it around.

I don't know how other writers do it but, for me, a first draft is never more than about 60 per cent of the way to the finished script. It's all about giving what you're writing a structure and hitting the plot points you need to in the allotted number of pages (in this case 24-25). It's in the second and third drafts that stuff like dialogue and panel descriptions take proper shape. You also become aware of plot elements that aren't really explained properly in the first draft and have to work out ways of weaving them into the story without having to rely on obvious exposition. After fight scenes, this is the thing I find trickiest.

*WHEN artist Keith Burns and I first discussed doing more Blood Psi, we thought it would take the form of a three- or four-issue mini-series. It's more likely to appear now as a graphic novel though. The main reason for that is the recent changes Diamond (the comic distributors) have made to their minimum order benchmarks. In the good old days, titles submitted to Diamond had to generate a minimum of $1500 in revenue for the company. That figure has now been raised to $2500 - a massive increase.

The implications for small publishers like myself are obvious - if low sales mean we can't get our books listed in Previews, we're pretty much screwed. I think I'm right in saying that all my books to date have exceeded the $1500 minimum but, in the new climate, expecting a four dollar mini-series by a couple of obscure UK creators to do $2500 four times on the bounce is unrealistic to say the least. Therefore doing Blood Psi as a 100-page graphic novel makes a lot more sense. If we solicited it for $10, on a 60-40 split in Diamond's favour, we'd only need 600 orders to hit the minimum benchmark; $12 and it's just 500.

Where all this leaves the raft of one-shots I'm submitting to Diamond this year I don't know. Tim Skinner is the most commercial thing I've published and boasts full-colour art from Dec so I'm hopeful that'll be picked up. Brothers is black and white but it's about superheroes and the art's gorgeous so that could go either way. Scoregasm is about football so that has about as much chance of being picked up by Diamond as I have of being picked up by Halle Berry.

So while I'm still determined to submit my stuff to Diamond and get it into Previews, I'm probably going to have to look at other ways of getting my books out there. One thing I'm going to do is check out Haven Distribution (www.havendistro.com) who, from what I can gather, carry quite a lot of indie comics stuff. I'm also going to look seriously at making my stuff available for download - either from the main Moonface site or through Eagle One Media (www.eagleonemedia.com), a company that already have many smaller comics publishers supplying them with digital content for download.

It's all a bit scary - worst case scenario is that I could end up with no US distribution for my comics. And on that glum note...

The trouble with Tarot

MY favourite review of any comic ever, courtesy of Chris's Invincible Super-Blog...

www.the-isb.com/?p=980#more-980

Most definitely NOT work safe!

Blood and Coolio

I'VE had a very disorganised start to the New Year but have just about caught up with correspondence and other stuff now. All that means I can get on with writing – in fact, I've already made a pretty good start.

First up is the fact that artist Keith Burns and I are going to be working on a sequel to our vampire one-shot of a couple of years ago, Blood Psi. Actually, it's rather more than just a sequel because we're also going to be revisiting the original story itself – Keith's completely redrawing it and I'm going to be tweaking the script here and there too. We'll then use that as a springboard to continue the story as a graphic novel or mini-series.

Of course, since I wrote Blood Psi back in 2005 the main character's name - Ruby - seems to have become a bit more popular, what with the Kaiser Chiefs song and all. Then there's a character called Ruby in ITV's disappointingly mediocre Demons show too. I'd hate people to think mine and Keith's Ruby was in anyway inspired by the Kaisers or poxy Demons but we were there first so the name stays.

I won't be giving too much away about the plot just yet but the second chapter is set a few months after the first and begins in a remote French farmhouse where Ruby and Rebecca are in hiding from the vampire community's very own "police force". It's round about then that the shit really hits the fan...

* YOU'D have to pay me to watch Celebrity Big Brother but I have to say Coolio's reportedly obnoxious behaviour on the show hasn't surprised me in the slightest. Back when I worked for men's magazine Maxim I had the dubious honour of doing a phone interview with the Gangster's Paradise star. It was a little bit odd to say the least.

I called to talk to him at the agreed time and we started the interview (about some shitty straight to video film he'd made), then he walked off mid-sentence and didn't come back for several minutes. This happened at least three times in the course of our chat. While he was away from the phone I could hear him having a massive row with people in the background. One such exchange ended with him screaming: "I don't have any friends, motherfucker, only acquaintances and employees."

I remember being amused that someone called Coolio wasn't actually that good at keeping his cool.

* LAST week I finally got round to getting an account on Twitter – you'll find it here: www.twitter.com/andywinter1